`Thus, too, there is backsliding in the religious discourse when a man says for example: “After many errors I finally learned to keep close to God, and since that time He has not left me in the lurch; my business flourishes, my projects have success, I am now happily married, and my children are well and strong, etc.” The religious man has here again fallen back into the aesthetic dialectic, for even if it pleases him to say that he thanks God for all these blessings, the question is how he thanks Him, whether he does it directly, or whether he first executes the movement of incertitude which is the mark of the God-relationship. Just as little as a man has the right in the midst of misfortune to say to God directly that it is misfortune, since he has to suspend his understanding in the movement of incertitude, so little dare he directly take all these things as evidence of the God-relationship. The direct relationship is an aesthetic one, and indicates that he is not in his thanksgiving related to God, but to his own ideas of fortune and misfortune. For if a human being cannot know with certainty whether a misfortune is an evil (the uncertainty inherent in the God-relationship as the form for always giving thanks to God), then he cannot know with certainty whether his good fortune is a good. The God-relationship has only one testimony, the God-relationship itself, everything else is ambiguous; religiously it holds true for every human being, even if he lived to ever so advanced an age, that in relation to the dialectic of external goods, we are born yesterday and know nothing. Thus the great actor Sydelmann (as I see from his biography by Rotschel) on the evening of his triumph in the Opera House, where he was crowned with a laurel wreath amid applause lasting several minutes, when he came home, passionately gave thanks to God. With the same passion with which he gave thanks he would have rebelled against God if he had been hissed off the stage. Had he given thanks religiously, and hence given thanks to God, the Berlin public and the laurel wreath and the applause lasting several minutes would have become ambiguous in the dialectical uncertainty of the religious.